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Curated Collections · 25 artworks · Created September 17, 2026

The Industrial Edit

25 works for the architecture, texture and visual language of the modern loft.

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The Industrial Edit

Industrial interiors are defined by architecture: generous proportions, exposed structure and materials that wear their history openly. Concrete, steel, brick, timber and blackened metal create a palette that feels both raw and considered, while high ceilings, factory windows, beams and visible services give the space its distinctive rhythm.

The art follows that language.

This edit brings together 25 works chosen for their relationship with geometry, texture, scale and architectural line. Graphic compositions sit comfortably against broad concrete walls, abstract forms echo the structure of steel and glass, while restrained palettes complement the tones of weathered timber, iron and leather.

Rather than competing with the architecture, these works become part of it, giving large walls a sense of proportion and creating moments of visual focus within the openness of the loft.

Art selected for the structure, surfaces and visual language of industrial living.

Artworks in this collection

25 artworks
ONEONEZERONINE RED - Sean Scully (2005)
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ONEONEZERONINE RED - Sean Scully (2005)

Sean Scully

Ireland, 2005

Large rust-and-black blocks add warm industrial color while staying disciplined.

Lithograph no. 4 - Pierre Soulages
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Lithograph no. 4 - Pierre Soulages

France

Dense black forms give the room slab-like contrast and architectural weight.

Pointed Black - Wassily Kandinsky (1931)
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Pointed Black - Wassily Kandinsky (1931)

Wassily Kandinsky

Russia, 1931

Dark blue structure and black angular form create a precise industrial mood.

Construct IV-A - Barbara Kasten (1980)
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Construct IV-A - Barbara Kasten (1980)

Barbara Kasten

USA, 1980

Steel-grey geometry and sharp shadows feel purpose-built for exposed concrete and black metal.

Washington Bridge and Speedway, New York - William Henry Jackson (1900)
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Washington Bridge and Speedway, New York - William Henry Jackson (1900)

William Henry Jackson

USA, 1900

Bridge architecture and muted stone tones fit industrial styling with historical restraint.

Arrival of the Normandy Train, Gare Saint-Lazare - Claude Monet (1877)
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Arrival of the Normandy Train, Gare Saint-Lazare - Claude Monet (1877)

Claude Monet

France, 1877

Steam, ironwork and muted soot tones make it a natural industrial-loft centerpiece.

The Wire #4 - Kumezu Ota (1993)
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The Wire #4 - Kumezu Ota (1993)

Kumezu Ota

Japan, 1993

Coiled wire becomes a restrained monochrome pattern directly tied to industrial materials.

Gris (Gray) - Wassily Kandinsky (1931)

Gris (Gray) - Wassily Kandinsky (1931)

Wassily Kandinsky

Russia, 1931

Bauhaus geometry and muted rust accents suit metal, concrete and leather.

CPP3 - Leonardo Drew (2007)
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CPP3 - Leonardo Drew (2007)

Leonardo Drew

USA, 2007

Rust, charcoal and blue texture echo oxidized metal and worn warehouse surfaces.

The Great East River Suspension Bridge: Connecting the Cities of New York and Brooklyn - Currier and Ives (1883)
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The Great East River Suspension Bridge: Connecting the Cities of New York and Brooklyn - Currier and Ives (1883)

Currier and Ives

USA, 1883

The Brooklyn Bridge subject offers strong engineering presence and broad loft-scale clarity.

Peinture 195 x 130 cm - Pierre Soulages (1955)
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Peinture 195 x 130 cm - Pierre Soulages (1955)

France, 1955

Heavy black strokes read like welded beams against a warm, raw plaster ground.

Port of Rouen, Unloading Wood - Camille Pissarro (1898)

Port of Rouen, Unloading Wood - Camille Pissarro (1898)

Camille Pissarro

Denmark / France, 1898

Port labor, steam and stacked timber give the loft an authentic working-dock mood.

Untitled (Nets) - Rachel Whiteread (2002)
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Untitled (Nets) - Rachel Whiteread (2002)

Rachel Whiteread

United Kingdom, 2002

Etched netting reads as industrial mesh, minimal enough for a large screen.

Construct III-C - Barbara Kasten (1980)
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Construct III-C - Barbara Kasten (1980)

Barbara Kasten

USA, 1980

Mirrors, acrylic planes and slate tones create a polished machine-age abstraction.

Elizabeth Line
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Elizabeth Line

Miguel Puig

London, 2026

The empty subway symmetry brings contemporary transit calm and engineered precision.

Tableau No. - Piet Mondrian (c. 1913–1921)
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Tableau No. - Piet Mondrian (c. 1913–1921)

Piet Mondrian

Netherlands

Muted grids give a spare, construction-like order ideal for industrial minimalism.

Bournemouth Pier
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Bournemouth Pier

Miguel Puig

Bournemouth, UK, 2026

Pier interior blues and worn red accents feel like weathered metal and timber.

Composition No. I, with Red and Black - Piet Mondrian (c. 1929)

Composition No. I, with Red and Black - Piet Mondrian (c. 1929)

Piet Mondrian

Netherlands, 1929

Black grid and red accent provide crisp contrast for steel-framed interiors.

Study for a Composition - Piet Mondrian (c. 1935–1941)
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Study for a Composition - Piet Mondrian (c. 1935–1941)

Piet Mondrian

Netherlands, 1940

Aged paper and faint construction lines soften industrial geometry elegantly.

Mulackstrasse 32: Slide Projections of Former Jewish Residents and Hebrew Reading Room, 1932, Berlin - Shimon Attie (1993)
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Mulackstrasse 32: Slide Projections of Former Jewish Residents and Hebrew Reading Room, 1932, Berlin - Shimon Attie (1993)

Shimon Attie

USA, 1993

Dark Berlin facade and projected memory add urban depth without decorative sweetness.

74V01 - John Divola (1974)
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74V01 - John Divola (1974)

John Divola

USA, 1974

Abandoned-room geometry and black marks feel raw, minimal and urban.

Nighthawks - Edward Hopper (1942)
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Nighthawks - Edward Hopper (1942)

Edward Hopper

USA, 1942

Its nocturnal urban glow balances grit with calm, perfect beside dark steel furniture.

Construct, NYC #17 - Barbara Kasten (1984)
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Construct, NYC #17 - Barbara Kasten (1984)

Barbara Kasten

USA, 1984

Cool geometric lighting adds architectural drama without cluttering an industrial room.

The Lone Tenement - George Bellows (1909)
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The Lone Tenement - George Bellows (1909)

USA, 1909

Construction-site geometry and smoky light suit raw brick and exposed utilities.

Blacksmith Shop - Francis A. Beckett
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Blacksmith Shop - Francis A. Beckett

USA

Forge heat, tools and earthy browns add workshop warmth to the industrial mix.

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